Open Data Ottawa
MTV Organic by Umeric.
Enrico Dini’s 3-D Printers Sculpture


Japanese Gameshows just do it for me.
Japan Media Arts Festival



Lawrence Malstaf‘s Nemo Observatorium

Synthetic Aesthetics: Art, Design and Synthetic Biology
Alexandra Daisy Ginsberg is a designer, artist and researcher. Her work exhibited at the final show, The Synthetic Kingdom, explored how design could contribute to a field that most of us find a bit intimidating and distant from our daily preoccupations: synthetic biology.
Among Daisy’s latest activities are a residency she recently completed at SymbioticA, a collaboration with James King and Cambridge University’s iGEM 2009 grand-prizewinning team and then there’s Synthetic Aesthetics. This project investigates shared territory between design and synthetic biology, invites exchange of existing skills and approaches, and makes possible the development of new forms of craft and collaboration.

Synthetic biology is a bit of a daunting area of research. It seems to be highly technical and almost too abstract. How much background in Synthetic Biology would the designers and artists who apply for the residency need?
Synthetic biology is the application of engineering principles to biology – living matter has become a new material for engineering, a new technology for design and construction. The promise is that we can simplify the way we engineer life, making it predictable and useful (though biology’s complexity still challenges us, for now). The discussions today are creating a framework that could influence biology and nature for generations to come.
The deeper I get, the more fascinating and complex it becomes and the faster the field is evolving. For the last two years I have been engaging with the construction of this potential future and the ethical implications it presents. My RCA projects, The Synthetic Kingdom – a proposal for a new branch of the Tree of Life – and Growth Assembly, with Sascha Pohflepp, investigate this (both currently on show in the Wellcome Trust’s windows).

Dunne and Raby, WHAT IF…, window display, 2010.
The principles behind synthetic biology are straightforward: standardization, abstraction and modularity. Synthetic Aesthetics is not looking for designers or artists necessarily expert in genetics, rather, how might design and art work in dialogue with the evolving science?We’re interested in the overlaps between synthetic biology and design, the ways that we can explore and interrogate science, opening up new thought areas and processes. We’re asking: how would you design nature?
Synthetic biology is multi-disciplinary, from computer scientists to mechanical engineers. As design advisor with James King to the 2009 Cambridge UniversityiGEM competition team (International Genetically Engineered Machines), we joined undergraduates in Maths, Physics, Engineering and other subjects in a two-week synbio crash course last July.
Beautiful Moss Table
The Moss tables designed by Ayodhya has been shown at the IFFS – international furniture fair in singapore 2010.


Interesting Concepts for Headphones + Speakers
DESIGN BOOM had a competition with Altec Lansing, calling designers for concepts in speakers or headsets. The results were very interesting from all around the world.

name of design : altec lansing mini
design by : kimming yap + yulia saksen from singapore

name of design : exflowde
design by : sunghyun kyung from korea

name of design : hangin/bowlin
design by : janne salovaara from finland

name of design : torus
design by : james barber from uk

name of design : fruity speaker
design by : yue li from france


name of design : moss speaker
design by : brandon shigeta from usa

name of design : cure
design by : chung-lin lin from taiwan

| — name of design : tune wave design by : Yang ShunFa + Tusng-yu Liu from taiwan |

name of design : peter podbelly
design by : kinga pelsöczi from germany

name of design : urban music tree
design by : tamara orjola from latvia

name of design : sport
design by : bao-nghi droste from germany

name of design : Transparent fragility
design by : ilshat garipov from russia
Patricia Piccinini: The Story of Science

Part I: Laboratory Procedures, 2002
Science Story
Type C colour photograph
100 × 200cm
(small format) 70 x 140 cm
Edition of 15

Part II: Ethical Issues, 2002
Science Story
Type C colour photograph
100 × 200cm
(small format) 70 x 140 cm
Edition of 15

Part III: Research Methods, 2002
Science Story
Type C colour photograph
100 × 200cm
(small format) 70 x 140 cm
Edition of 15

Part IV: Thesis and Conclusions, 2002
Science Story
Type C colour photograph
100 × 200cm
(small format) 70 x 140 cm
Edition of 15
CD designed by Jaroslav Juřica & Zuzana Lehutová


Image/// Courtesy of Huberto Kororo
Recorded at Pappelallee 5 in Berlin, in 2006, mixed by Ivan Palacky in Brno a year later and finally, mastered by Toshimaru Nakamura in Tokyo, in October 2007, the cd (designed by Jaroslav Juřica and Zuzana Lehutová) consists of two editions, where „kempt“ represents a smoother kind of musical expressiveness, while „unkempt“ tends to be more experimental..
After opening (by tearing off the seal), the outer minimalistic graphic of the snow-white package is irretrievably disturbed by a single dark stain, which turns to the colour of the inner content.. While the graphic form of the edition is always constant, the colours vary. Depending on the technique of opening (like using a drill in order to create a peculiar mark) some patterns arise, which give each piece a certain uniqueness.
+ UCEROZ
Death of Alexander McQueen: A Genius
Alexander McQueen, a genius Fashion Designer, was found dead shortly after his mother’s death about couple of weeks ago. The news was announced on BBC and on his website and by now has flooded the internet and design blogs. He was truly amazing.







Patrick Evans: Montreal Pecha Kucha
Last night at the Montreal Pecha Kucha , Patrick Evans presented his wonderful story on "Where the snow goes". It was overall a nice night at the CCA. 6 presentors, speaking about "City Cleanliness".


Where The Snow Goes
by Patrick Evans
Published by Smith, Bonappétit & Son
ISBN 1-897118-02-3
Patrick Evans is co-founder of the architectural collective





























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